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Brodsky Quartet
Sun 16 Nov Town Hall
Without a doubt, the Brodsky is Britain’s best-known string quartet. With a repertoire stretching from the classics to collaborations with pop artists, this remarkable ensemble is at the very top of its game. The players visit the intimate space of Town Hall with four outright classics of the string quartet repertoire - a masterpiece from Beethoven’s fiery youth, Shostakovich’s most intense and best-known Quartet, Stravinsky’s three ground-breaking miniatures, and the quiet melancholy of Tchaikovsky’s Third and last Quartet. Tickets £5-£20
*Beethoven* Quartet in D Major, op 18, no 3 25’ *Shostakovich* Quartet No 8 in C Minor, op 110 20’ *Stravinsky* Three Pieces for String Quartet 8’ *Tchaikovsky* Quartet No 1 in D Major, op 11
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Uchida Plays Mozart
Sun 23 Nov Symphony Hall
Few pianists today command the respect and awe accorded to Mitsuko Uchida. “One of today’s great pianists,” wrote The Times, while The Independent summed her up as simply “sublime”. In this concert she directs two of Mozart’s greatest concertos from the keyboard-the serenity and poise of the A major Concerto contrasting with the tragedy of the C minor. Uchida’s lucid Mozart playing is ideally suited to the perfect acoustic of Symphony Hall, uniting performer and audience in an experience of crystal-clear intensity. *Classic FM’s Anne-Marie Minhall says of tonight’s recommended concert:* _Tonight the pianist Mitsuko Uchida joins forces with the orchestra formed in in 1981 and made up of fifty players from fifteen countries-The Chamber Orchestra of Europe. A chance for you to enjoy two of Mozart’s Piano Concertos written at the same time, but in very distinct moods. Mitsuko Uchida gained her international reputation by playing and recording the music of Mozart-there’s nothing she doesn’t know about the composer’s best-loved works for keyboard._ "Classic FM":http://www.classicfm.co.uk Tickets £5-£37.50
*Chamber Orchestra of Europe* *Mitsuko Uchida* piano/director
*Stravinsky* Apollon Musagète 30’ *Mozart* Piano Concerto No 23 in A Major, K488 24’ *Mozart* Piano Concerto No 24 in C minor, K491 30’
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IgorFest: Orpheus
Thu 30 Apr 2009 Symphony Hall
We enter the final leg of our ground-breaking four-year Stravinsky cycle with a programme featuring two largescale orchestral works: the 1947 ballet Orpheus and the energetic, neo-classical Symphony in C. These frame a pair of religious works: what he called his ‘pocket requiem’, Requiem Canticles, and his exuberant arrangement of the music of J. S. Bach in Vom Himmel Hoch. Two of his many tributes to great contemporaries - in this case the writers T. S. Eliot and Aldous Huxley complete the programme. 6.15pm- Pre Concert Talk- The three final instalments of the CBSO’s epic journey through the complete works of Stravinsky - introduced by BBC Radio 3’s Anthony Burton
Jac van Steen - conductor CBSO Ex Cathedra
Stravinsky: Orpheus 31’ Stravinsky: Introitus - T. S. Eliot in memoriam 4’ Stravinsky: Requiem Canticles 15’ Stravinsky: Chorale Variations on ‘Vom Himmel Hoch’ 11’ Stravinsky: Variations: Aldous Huxley in memoriam 5’ Stravinsky: Symphony in C 28’
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IgorFest: Biblical Works
Wed 6 May 2009 Symphony Hall
Though he was never especially strict in his Church attendance or attitudes, religion played an increasingly important part in Stravinsky’s output, and his later works based on Biblical texts are among his most profound and original. Tonight Sakari Oramo offers up four varied pieces based on Old Testament stories, culminating in Threni, Stravinsky’s extraordinary setting of the Lamentations of Jeremiah. There is also a New Testament counterpart in A Sermon, a Narrative and a Prayer. 6.15pm Pre-concert talk - Biblical Works
Sakari Oramo - conductor Roderick Williams -baritone
Stravinsky: Babel 5’ Stravinsky: Abraham and Isaac 10’ Stravinsky: The Flood 24’ Stravinsky: A Sermon, a Narrative and a Prayer 15’ Stravinsky: Threni 30’
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IgorFest: The Fireworks Finale
Sat 9 May 2009 Symphony Hall
For the grand finale of our Stravinsky project, we return to the composer’s Russian roots with some musical fireworks. His 1922 comic opera Mavra - dedicated to Tchaikovsky - is a wickedly witty setting of a Pushkin tale set in a Russian village. In his glittering early Fireworks we can hear the influence of his teacher Rimsky-Korsakov, while his strange, visionary 1912 cantata The King of the Stars (composed at the same time as The Rite of Spring) sounds like nothing else on this earth. And there could be no other way to end this amazing journey than with the Rite - still, nearly a century after its scandalous Paris premiere, a piece which astounds with every performance. 6.15pm Pre-concert talk - The Fireworks Finale
Sakari Oramo - conductor Anita Watson - Parasha Liora Grodnikaite - The Neighbour Elizabeth Sikora - The Mother Robert Gardiner - The Hussar City of Birmingham Symphony Chorus City of Birmingham Symphony Orchestra
Stravinsky: Fireworks 4’ Stravinsky: Four Russian Peasant Songs 4’ Stravinsky: Mavra 27’ Stravinsky: The King of the Stars 5’ Stravinsky: The Rite of Spring 35’
